• “The smartest historical sci-fi adventure-romance story ever written by a science Ph.D. with a background in scripting 'Scrooge McDuck' comics.”—Salon.com
  • A time-hopping, continent-spanning salmagundi of genres.”
    —ENTERTAINMENT WEEKLY
  • “These books have to be word-of-mouth books because they're too weird to describe to anybody.”
    —Jackie Cantor, Diana's first editor

THE EXILE – LAUNCH PARTY!!




ONE WEEK AND COUNTING!! (September 21st!)

OK, time to get out the book-touring clothes and check for sweat stains…! (Well, yes, I do. Performing raises my body temp about five degrees, no matter what the ambient temperature is. I figure it’s all the energy pouring in from the audience. Y’all are great—and hot. [g])

Now that I’ve taken to Twittering (I’m “Writer_DG”), I notice that a few people seem to think that THE EXILE is just OUTLANDER done in pictures. If you’ve been following my blog for a bit, you’ll already know that’s not the case—EXILE is a brand-new story, though if you’ve read OUTLANDER (and I’m sort of figuring most of you have [cough]) you’ll recognize some of the main incidents.

You will, though, also have an all-new storyline, _and_ perhaps learn a few things people tell me they’ve wondered about from the original novel: Who was the mysterious girl in France? Where did Jamie get his mother’s pearls? What did Mrs. Fitz make of Claire’s bra? [g]

NOW—the LAUNCH PARTY!!

The Poisoned Pen bookstore has always done launch parties for my books, God bless them—but this time it’s gonna be Special.

We sort of outgrew the confines of the bookstore with A BREATH OF SNOW AND ASHES, and so they hosted the last launch (for AN ECHO IN THE BONE) at the Biltmore Hotel—it was great! For this time, though—we have not only me and a pile of books [g], but also Hoang Nguyen, the wonderful artist who did the artwork, and we’ll be doing a knockabout cross-talk act…er…a collaborative program, I mean, in which we want to show you some of the cool art while we talk about it (explaining, for example, how we eventually came up with Jamie’s Butt), and that meant finding a venue where we could have good projection equipment and good seats for you to sit in while looking at it. (Though I must say that the imagination boggles a bit at the notion of an enormous projection of Jamie’s rear end…)

So. The Pen’s arranged to do this at the Scottsdale Center for the Arts, which has a lovely, brand-newly remodeled auditorium. And since we’re making such an Occasion of it, food and drink will be provided by Arcadia Farms. Aaaaand…

We’ll have music, courtesy of OUTLANDER: The Musical. I _will_ (God willing and the international shipping company cooperating) have CDs of OTM on hand to sell—but the Center for the Arts has a good sound system that will let us play the CD for you prior to the event, so you’ll have a chance to listen to it.

(As a Special Added Attraction, I _will_ read one or two excerpts from Book Eight. Just in case you were wondering how Jem’s doing in that tunnel, or What Jamie Said to Lord John next. [g] See below.)

Anyway, I expect a great time to be had by all, and hope to see y’all there, glowing like embers. [g] (I _will_ wear deodorant, in honor of the occasion.)

P.S. Since the launch party is in a special venue—which had to be rented for the occasion—there _are_ tickets for it. Each ticket includes the price of a signed book (it can be signed by me alone, by Hoang alone, or by both of us!)—and if you want to bring a friend, you can get a “companion” ticket for an additional $5. Book tickets here.

JEM

He must be getting near the end of the tunnel. Jem could tell by the way the air pushed back against his face. All he could see was the little red light on the train’s dashboard–did you call it a dashboard on a train? he wondered. He didn’t want to stop, because that meant he’d have to get out of the train, into the dark. But the train was running out of track, so there wasn’t much else he could do.

He pulled back a little bit on the lever that made the train go, and it slowed down. More. Just a little more, and the lever clicked into a kind of slot and the train stopped with a little jerk that made him stumble and grab the edge of the cab.

An electric train didn’t make any engine noise, but the wheels rattled on the track and the train made squeaks and clunks as it moved. When it stopped, the noise stopped too. It was really quiet.

“Hey!” he said out loud, because he didn’t want to listen to his heart beating. The sound echoed, and he looked up, startled. Mum had said the tunnel was really high, more than thirty feet, but he’d forgot that. The idea that there was a lot of empty space hanging over him that he couldn’t see bothered him a lot. He swallowed, and stepped out of the tiny engine, holding on to the frame with one hand.

“Hey!” he shouted at the invisible ceiling. “Are there any bats up there?”
….

JAMIE/LORD JOHN

He’d been quite resigned to dying. Had expected it from the moment that he’d blurted out, “I have had carnal knowledge of your wife.” The only question in his mind had been whether Fraser would shoot him, stab him, or eviscerate him with his bare hands.

To have the injured husband regard him calmly, and say merely, “Oh? Why?” was not merely unexpected, but…infamous. Absolutely infamous.

“Why?” John Grey repeated, incredulous. “Did you say ‘Why
‘?”

“I did. And I should appreciate an answer.”

Urram do Mair

It’s Gaidhlig ; it means

“Honor to the Dead”

Incoming…!

That would be me.

In answer to questions about my immediate whereabouts this weekend at the Bookmarks Book Festival in Winston-Salem, NC:

1:00 – 1:45 PM – talk/reading on Main Stage

1:45 – 3:30 (with bathroom break somewhere in there, I hope) – book-signing
(No, there will NOT be copies of THE EXILE available; it won’t be released until the launch part on Sept. 21)

3:30 – 4:15 – Panel discussion with two NC authors (whose names I unfortunately forget) about “Sense of Place” – on Main Stage

4:15 – more book-signing, if anyone still needs it.

MANY thanks to all the kind people who’ve welcomed me to NC and invited me to come places, eat with them, etc. I’m afraid that I’m only there for the one day, though, and am meeting with smaller groups all morning, and dining with the Festival organizers Saturday evening. Much Obliged, though, and I’ll hope for more leisure to meet with y’all next time!

Oh–while we’re at it, I see the Poisoned Pen has put up a Really Nice blogpost about the launch part for THE EXILE at

http://penandtheexile.blogspot.com/

Unexpurgated Artwork


Right, unexpurgated art. Well, here’s the deal: There is a section at the end of THE EXILE (the new graphic novel), titled “The Making of THE EXILE,” which is a behind-the-scenes look at the collaboration between me and Hoang Nguyen, who did the artwork for the book. It includes a mention of one panel, showing part of Jamie and Claire’s wedding night, where the publishing people (reluctantly [g]) decided that the art was a little _too_ graphic, and opted to have Hoang draw a blanket over part of the view. However, Betsy Mitchell, the editor, told me that I could put the original panel up on my website and blog, once the book was out–and I mentioned that while writing my part of the “Making Of” section.

Well, next thing I know, someone tells me that Random House Canada (who are also publishing the book) have uploaded the “Making Of” section to scribd–the link is
here–and all kinds of people are going nuts looking for the dirty art. [g]

I hadn’t expected the “Making Of” section to be available prior to publication, so the art wasn’t up yet. (And it’s not _that_ explicit, anyway) But I was away from home when all this hit over the weekend, so just now having time to get it up. There you are–enjoy!

Yeah, it WAS busy!


Monday, Monday…

Or at least I _think_ it’s still Monday. Leapt into a plane this morning and flew home from Atlanta, after a delightful—but busy!—weekend at DragonCon and the Decatur Book Festival. (Well, it was Monday when I started this; now it’s Tuesday…my, how time does fly…)

Both these events are wonderful, but it would be hard to imagine two gatherings (both involving thousands of people) more dissimilar. The Decatur Book Festival is charming: it’s held in Decatur (reasonably enough), a suburb some eight miles outside Atlanta, a small town with an old-fashioned Southern (with a capital “S”) feel to it, and occupies the center of the town, with white tents arranged around the Old Courthouse, and reading venues here and there—I spoke in the Presbyterian Church, which is their largest venue (someone told me it holds 900 people, and there were just about that many in it, I think).

There’s a street filled with food-vendor’s booths, selling everything from ice-cold lemonade (regular and cherry (pronounced “cheery”)) to fried dough (with powdered sugar) and fried fish and dirty rice. The tents running up and down the streets hold everything book-related (and a few things having Not That Much to do with books, like jewelry and music CD’s): the publications of various companies, small and large, writer’s organizations, book-binders, literacy organizations, children’s books, travel books, philosophical and spiritual books, and a group called Muslims for Peace, handing out information and answering questions about Islam.

The streets themselves are full of families; there’s something for everyone—including the “Ladybug Girl Parade” and a storyteller’s tent, to say nothing of the readings and talks for more adult guests. But the mood is cheerful, laid back, and peaceful; there’s something going on everywhere you look, but the overall sense is one of happy, calm expectancy.

DragonCon is…er…NOT calm. [cough] This is (I think) the biggest sf/fantasy convention in the world. It occupies the entirety of _five_ huge convention hotels in downtown Atlanta, and hosts something like 50,000 people.

You know how one describes any outre’ social gathering as being “like the cantina scene in “Star Wars””? Well, the public aspect of DragonCon _is_ the cantina scene from “Star Wars”.

There are bars (multiple; impromptu portable bars are set up around most of the escalators) on all the floors, thronged with…well, you name it. If you can imagine it, you’ll see it there—and a Whole Lot of Stuff Nobody Ever Even THOUGHT of Before, too. (Thinking here specifically of the man—naked save for a fur Speedo—painted red from scalp to shoe-sole, with four nails through each nipple. (I told my husband about this and he said, “Either he has big nipples, or they were small nails.” Small nails. Real ones, though.)

About half the participants are in costume, and I do mean “Costume.” As in, these people take their costuming Very Seriously, and dress up as anything from their favorite anime character to an undead cabaret dancer (one of the finalists from last year’s masquerade—which I had the privilege of judging, meaning I got to see everything from a distance of about six feet), Chthulhu, or a Black Ops team from Another World (which one, I don’t know; I was afraid to ask. They aren’t _supposed_ to carry real weapons, but…). There’s an official parade in costume on Saturday morning, but believe me, you can see just about everything simply by standing in one place in the lobby of the Hyatt Regency (the main hub of the con) and letting it all thunder past you. (“The nerd herd is particularly thick tonight,” one panelist remarked, explaining his late arrival, disheveled and panting.)

While the Decatur Book Festival lasts two days and is impeccably organized, DragonCon lasts four (more or less) and…well, in all justice, _I_ wouldn’t want to be responsible for scheduling several hundred presenters and allotting them room in a multi-hotel labyrinth that would baffle the Minotaur.

Several of the hotels are linked physically, both above and below-ground, and all of the “writer’s-track” panels and events were held in the bowels of the earth, two or three stories _under_ the hotel complex. This made finding the locations for various panels a little challenging, but the hotels did tend to scatter staff members with a lavish hand, so it wasn’t that hard to find someone to ask. Still, the schedulers were inclined to put eight people or so on a panel, just to insure that three or four of them showed up on time—with the result that sometimes you really _had_ eight or nine people on a panel, which is a little unwieldy.

I was the official guest of the Decatur Book Festival, but the DBF is more than generous in sharing guests with DragonCon, and goes so far as to provide free transportation back and forth between Decatur and downtown Atlanta (and the airport) during the weekend. I took full advantage of this, as I had to make _three_ round trips on Friday, in between DragonCon events.

My chief reason—other than the fact that I enjoy it [g] –for attending this year was to promote the upcoming publication of THE EXILE (yes, yes, yes, I know you want the unexpurgated artwork from the wedding night scene; it’ll be along in the next blog entry), and I was delighted to have everyone show such enthusiasm for the book! (My editor, Betsy Mitchell, came to DragonCon to do a panel on the graphic novel with me, and brought me a copy of the Actual Book! Always a thrill [g], when something you’ve worked on for months or years is suddenly embodied and you hold it in your hands—and this is a particular pleasure, since it’s physically beautiful, as well as A Real Book.

I did have other minor things to do, though; I did a number of panels on writing—always a lot of fun—and a very interesting one in Decatur, with several YA authors, for an audience of younger readers (and their parents). Don’t know as they’ll ask me to do that one again, though, as one of the questions was which book I remembered most vividly from my teen years and I replied—honestly—that it was FANNY HILL. [cough]

Also brought a number of the Outlander: The Musical CD’s with me, and sold them at my signing in Decatur, courtesy of The Little Shop of Stories, who hosted my event. Happy to say I sold pretty much all of them—though I’d given some to my son (see below) to carry in his suitcase, and neglected to get them back before the event. (No worries; I’ll take those with me to the Bookmarks Festival in Winston-Salem next weekend.)—and people seemed thrilled to have them.

(I’m planning to have at least some CD’s at all the independent book-store events on the book-tour, later this month, so if you’d rather not go to the bother of setting up a PayPal account (and paying shipping) or waiting ‘til we get the Amazon/iTunes connections going, _and_ you’ll be in one of the places I’ll be….I’ll have a CD for you there! [g] (Special Event Price – $15.00!))

Beyond the pleasure of meeting fans, talking about writing, and sharing fabulous music, I was also supporting the efforts of a couple of Worthy Young Men.

First of these being Samuel Sykes (www.samsykes.com), hot new author of heroic fantasy, and [cough] my son. His first novel, TOME OF THE UNDERGATES, was published in the UK earlier this year, but comes out in the US this month. Having got an agent, a three-book contract, published in six countries, and good reviews, all on his own, he’s now willing to admit that he’s related to me. [g]

Sam was at DragonCon, promoting the US release of TOME, so I took a copy with me to my various panels and talks and was allowed to brag on it and show off the very attractive cover (see above). Pleased to note that Sam’s publisher had brought 50 copies of TOME to the Con—all of which sold by Sunday morning. (I didn’t do _nearly_ that well with _my_ first book…)

The second young man being Allan Scott-Douglas, who sings the role of Jamie Fraser on the Outlander: The Musical CD. Allan told me that owing to the kind interest of all the Outlander fans, he was #2 “most viewed actor” on the UK castingcallpro website for professional actors—“Only behind the new girl on Coronation Street.” I laughed and said that if he wanted to be #1, I’d mention him while in Atlanta, and we’d see what happened.

So…I did, and y’all made him #1 within about 24 hours—MANY thanks!

(Though I think I rather shocked him by reporting that I’d had a good response to his photo (in kilt) at the “Sex in Science-Fiction” panel. “How on earth did you manage to use my picture in a panel on sex?!” being his rather agitated reply. “I’m glad they liked it…but a little weirded out!” (Granted, that sort of panel usually starts on a low note and heads straight downhill, but not to worry; I didn’t do anything even slightly undignified. It’s just that the moderator’s first question was, “So…what do you personally find sexy in sf or fantasy? Let’s start with you, Dr. Gabaldon…” –whereupon, moved by inspiration, I pulled Allan’s photo out of the folder I was carrying and solemnly displayed it to the crowd, all of whom burst into applause. Responding to the iconic “Man-in-Kilt” image, I mean, not Allan’s personal attributes. (Coulda been worse. One of the DragonCon events was (I kid you not) “Men in Kilts…woman with leaf-blower.”))

Only justice, though, that a man in a kilt then made _me_ blush, in Decatur. [g] During the Q&A following my talk, a tall, nice-looking gentleman at the back of the church stood up and told me that he’d been impressed by the accuracy of my depictions of the area of North Carolina near where he lived, and would like to offer his services if I needed any research—adding that he would put his resources at my disposal.

OK. I’d already told all my indelicate kilt stories. [cough] So I laughed, thanked him, and said, “In terms of resources—I won’t ask whether you have a kilt.” Whereupon he stepped out into the aisle, arms spread, displaying…a very becoming kilt. [g]

Anyway, it was a terrific weekend—if Really, Really Busy—and I had a wonderful time meeting so many nice people!

And to Entertain You While I’m Gone…

Here are some brief video clips from the live launch of “Outlander: The Musical” in Aberdeen last month!

http://www.youtube.com/watch?v=i37mvexRYUk

(Apologies for the poor sound; these were done with a small hand-held camera.)

BUSY WEEKEND IN ATLANTA!!!

IT’S GONNA BE A BUSY WEEKEND!!

I’ll be appearing at the Decatur Book Festival and Dragon*Con in Atlanta this weekend—pretty much simultaneously! Events and times are listed below (please note that I won’t be doing the events scheduled for Monday!).

Now, normally, I don’t Twitter [g]–no time!–but it strikes me that this weekend might just be the kind of situation where that might be helpful. So—just in case y’all want to follow me temporarily, my Twitter ID is “Writer_DG.”

DECATUR BOOK FESTIVAL

All my events in Decatur will be on Saturday afternoon (Sept. 4):

1:00 PM – “Meet and Greet” in the AJC tent. This is a brief opportunity to chat with readers. It’s not a book-signing.

3:00 PM – main talk/reading – Presbyterian Church. I’ll talk about anything y’all would like to hear about , but will certainly include the new graphic novel (THE EXILE), OUTLANDER: The Musical, and maybe even read a cliffhanger pickup or two from Book Eight!

(The talk will be followed by a book-signing—usually held across the street. !!!I will have a limited number of Outlander: The Musical” CD’s!!! available at this signing. (limited by the number I can carry…))

5:00 PM – Panel. “Break in Case of Emergency: This Book Could Save Your Life!” on The Escape teen stage. (Advice from adult authors on books to read.)

DRAGON*CON

***An Hour with Diana Gabaldon
D. Gabaldon; Mon 10:00 am; Intl. C
[W]

Outlander in Graphic Terms
Diana and Betsy discuss how the graphic
version came to be and the transition
from prose to graphic novel. D. Gabaldon,
B. Mitchell; Fri 5:30 pm; Fairlie [H]
(We’ll be showing off some of the art–and will have an Actual Book to show, too!)

Sexy Science Fiction
What makes a book sexy? Naked women
and actual sex scenes? Or are there other
literary pheromones at work? J. Ward,
G. Martin, D. Gabaldon, D. Whiteside, G
Mitchell (M); Fri 10:00 pm; Fairlie [H]

Trends in Paranormal/Urban Fantasy
Fiction
This panel will discuss the very fluid
paranormal/urban fantasy fiction market.
C. Burke, C. L. Wilson, J. St. Giles, D.
Gabaldon, L. Gresh, D. Knight; Fri 11:30
am; Manila/Singapore/Hong Kong [H]

Pros Discuss Plot Development
These pros discuss methods of developing
unpredictable, but believable plots. C.
Burke, J. Moore, J. Sherman, J. Maberry,
D. Gabaldon, L. Gresh; Sat 8:30 pm;
Manila/Singapore/Hong Kong [H]

Ingredients for great fiction
A little sugar, a little spice? A surprising
plot, a great cast of characters, intriguing
settings blend into great fiction. N.
Knight, G. Watkins, J. Wurts, A. Sowards,
M. Resnick, C. Eddy, S. M. Stirling,
D. Gabaldon; Sun 5:30 pm; Manila/
Singapore/Hong Kong [H]

***Roundtable
Got a question? This is a question and
answer panel that will address questions
from the audience. S. Chastain, D.
Dixon, J. Moore, C. Douglas, J. St. Giles,
D. Gabaldon; Mon 1:00 pm; Manila/
Singapore/Hong Kong [H]

***The Future of Fantastic Fiction
This panel explores markets with wellestablished
authors making suggestions
for audience members. G. Hayes, A.
Martin, E. Moon, J. St. Giles, D. Gabaldon;
Mon 4:00 pm; Manila/Singapore/Hong
Kong [H]

*** I’m sorry to miss these events—especially the “Hour with Diana”!—but the unfortunate fact is that the DragonCon programming committee didn’t bother to send me this schedule. I got it from a fan who’d picked it up from the website three days ago—by which time I (rather naturally) had already booked my flights, leaving Monday morning. Will hope to catch up with y’all at one of the other events over the weekend, though!

Cliffhangers

Why, yes, actually I _have_ (in and amongst everything else) been working on Book Eight. [g] I think I showed you a brief snip of the pickup to the Jem-in-the-tunnel cliffhanger last month; here’s a likewise brief snip of the one between Jamie and Lord John:

Excerpt, Book Eight
Copyright 2010 Diana Gabaldon

He’d been quite resigned to dying. Had expected it from the moment that he’d blurted out, “I have had carnal knowledge of your wife.” The only question in his mind had been whether Fraser would shoot him, stab him, or eviscerate him with his bare hands.

To have the injured husband regard him calmly, and say merely, “Oh? Why?” was not merely unexpected, but…infamous. Absolutely infamous.

“Why?” John Grey repeated, incredulous. “Did you say ‘Why’?”

“I did. And I should appreciate an answer.”

Now that Grey had both eyes open, he could see that Fraser’s outward calm was not quite so impervious as he’d first supposed. There was a pulse beating in Fraser’s temple, and he’d shifted his weight a little, like a man might do in the vicinity of a tavern brawl, not quite ready to commit violence, but readying himself to meet it. Perversely, Grey found this sight steadying.

“What do you bloody mean, ‘why’?” he said, suddenly irritated. “And why aren’t you fucking dead?”

“I often wonder that myself,” Fraser replied politely. “I take it ye thought I was?”

“Yes, and so did your wife! Do you have the faintest idea what the knowledge of your death _did_ to her?”

The dark blue eyes narrowed just a trifle.

“Are ye implying that the news of my death deranged her to such an extent that she lost her reason and took ye to her bed by force? Because,” he went on, neatly cutting off Grey’s heated reply, “unless I’ve been seriously misled regarding your own nature, it would take substantial force to compel ye to any such action. Or am I wrong?”

The eyes stayed narrow. Grey stared back at them. Then he closed his eyes briefly and rubbed both hands hard over his face, like a man waking from nightmare. He dropped his hands and opened his eyes again.

“You are not misled,” he said, through clenched teeth. “And you _are_ wrong.”

The Laird of Balnamoon


Well, having embarrassed the heck out of Mr. Scott-Douglas, [cough] allow me now to introduce you to Mr. Kevin Walsh!

(I showed this picture to our excellent web-mistress, who said, “Does every Scot have a kilt pic? What they don’t realize is, all they have to do is go on any Diana Gabaldon fan board, and pick up any single woman they want, from anywhere in the world! *g* Doesn’t even matter what they look like, they just need the kilt and the accent.” )

Kevin is both the singer and the song. By which I mean that he’s the composer and creator of all the music for the Outlander: The Musical CD—and also sings the voices of Dougal MacKenzie and Ian Murray _on_ the CD. (You can hear him as Dougal in “The Message” and as Ian in the hilarious “Why Did I Marry a Fraser?” (in which Jamie and Jenny bicker in the background as Ian and Claire condole with each other: Ian/Claire: “[Frasers]…they’re awkward/and sulky/bad-tempered/and vain” (Jamie: “VAIN?!” Claire: “Yes, you strut about there like a Highland John Wayne…”)) as well as a brief bit in “I Am Ready”).

Kevin’s also aka the Laird of Balnamoon – pronounced, he says, “Bonny Moon” in old Scots—this being the name of his house, “Cotton of Balnamoon,” an ancient structure once belonging to a Jacobite laird named James Carnegy-Arbuthnott*)

* James Carnegy-Arbuthnott, Laird of Balnamoon, favoured the Jacobite cause and was known as the Rebel Laird. He was Prince Charles Edward Stuart’s Deputy-Lieutenant of Forfarshire and an officer in Lord Ogilvy’s Angus regiment. He survived the Battle of Culloden in 1746 and fled to Glen Esk where he was harboured by locals until he was betrayed by the local Presbyterian minister. Sent for trial in London, he was acquitted on a misnomer. (In 1745 he had added his wife’s surname and territorial designation of Arbuthnott of Findowrie to his own name, from whence arose the confusion). [From Wikipedia]

Pictures, You Say…


Pictures, you say. Well….see, the thing is, if I’m taking pictures, I’m always looking around for something to take a picture _of_. Which is not an unreasonable thing to do, but it stops me actually _seeing_ things.

And it gets in the way of the things that are looking for me.

For instance, the last bit of the recent trip was two and a half days in Ireland. This was research, as part of SCOTTISH PRISONER takes place there—but rather random research, as I wasn’t looking for a specific battlefield or anything of that sort, but just absorbing the vibes of County Galway and Limerick (as well as Dublin) and sitting around in pubs listening to people talk (I have some slight ear for Scots, but none at all for Irish regional accents or idiom).

Well, so. Our path to Limerick took us (by plan) through Athlone, as a certain amount of 17th-century Jacobite plotting went on there, and I thought it might be useful. Nothing specific in mind, though, so we were just driving through the city, looking round in a vague way for the castle. “You don’t know where it is?” asked my husband (gallantly doing all the wrong-side-of-the-road driving, and thus slightly white-knuckled in the narrow streets).

“Nope,” I said cheerily. “I may not even need it, but if I do, I’m sure we’ll find it.” So on we went, reaching the far side of the city pretty fast (it’s a small city, Athlone). Rather than get onto an unfamiliar motorway, we pulled into the parking lot of a shopping center—which was across the street from a park, with a river running through it.

OK. One of my basic principles when on foreign ground is that you always head for water. River, lake, ocean, pond—it doesn’t matter. Something interesting is always going on near water. So we crossed the road, and Doug headed—with logic—right for the river. I stopped dead, at a ratty little poster in a frame, showing faded depictions of the flora and fauna to be found on the River Shannon (that being what we standing next to). I took a quick, but intense look at this, and when I spotted “amphibious bistort,” I heard, clear as anything, the following:
“Fraser glowered at the plant in his hand.

“And what’s that?”

“An amphibious bistort, if I’m not mistaken,” Grey replied, with some pleasure at the name.

“Can ye eat it?”

Grey surveyed the spindly thing critically and shook his head.

“Not unless you were starving.”

“I’m not. Put it back and let’s go.”

Right. So the River Shannon and the amphibious bistort were looking for me—but I certainly wouldn’t have found them, if I’d been looking for church spires or cud-chewing cows to take photos of. (No, I have no idea why these people are where they are; I just know they _are_, because I’ve just seen them there.) And on the way back through town, sure enough, Castle Athlone materialized right in front of us, and I spent a blissful twenty minutes climbing through it. So when the time comes, I can pull that memory up entire, from the tiny flowering plants growing in the cracks of the black stone, to the way the arrow slits widen on the inner aspect, to allow for someone drawing a bow—and I know that a bow-shot from one of those slits would have reached a boat coming ashore from the Shannon (having come down from Lough Rea—don’t ask me who’s in the boat or who’s shooting at them; I don’t know that yet), because I know how far it is from the Castle to the River—not far at all.

And that’s why I don’t take pictures when I travel. (I _do_ collect postcards from art museums.)

So I’m afraid the only picture I came home from Scotland with is the one above, of me and Big Bir—er, me and Mr. Allan Scott-Douglas (the voice of Jamie Fraser on the outlanderthemusical CD), who very graciously came to have a drink with me and sign a bunch of CD’s. (NO, I have _not_ just made some scandalous remark that caused Mr. Scott-Douglas to blush—would I do that? He’s just got a ferocious sunburn from outdoor rehearsals for his next show, “King Arthur”, which is being performed at Craigcrook Castle near Edinburgh, later this month. See here for details.)

[As an afterthought, it seemed only fair to show you a photo of Allan _in_ character, though he's no less charming as himself.]

Oh—before I forget, there’s a brand-new video of the song-snips from Outlander: The Musical, here! (And many, many thanks to the talented Michelle Moore, who made it!)