And many thanks to Blue Moon Magnolia for this lovely tribute to Jamie’s backside. {g} [I call it "pumpkinbuns"--it's a reproduction of the famous Page 5 scene in THE EXILE.] Click “continue reading” to see the picture.
Happy Birthday, Claire!
In honor of Claire Beauchamp Randall Fraser’s birthday–October 20, 1918– here’s Claire’s first scene from WRITTEN IN MY HEART’S OWN BLOOD. (NO, I don’t have pub date for this book. I’m not done _writing_ it, for heaven’s sake. When it’s done, I’ll tell you, OK? (I’m hoping to have it finished by the end of 2012. Meanwhile, THE SCOTTISH PRISONER and Jamie will perhaps help tide you over–that one comes out next month–November 29th))
WRITTEN IN MY OWN HEART’S BLOOD
Copyright 2011 Diana Gabaldon
Mrs. Figg was smoothly spherical, gleamingly black, and inclined to glide silently up behind one like a menacing ball-bearing.
“What’s this?” she barked, manifesting herself suddenly behind Jenny.
“Holy Mother of God!” Jenny whirled, eyes round and hand pressed to her chest. “Who in God’s name are you?”
“This is Mrs. Figg,” I said, feeling a surreal urge to laugh, despite–or maybe because of–recent events. “Lord John Grey’s cook. And Mrs. Figg, this is Mrs. Murray. My, um…my…”
“Your good-sister,” Jenny said firmly. She raised one black eyebrow. “If ye’ll have me, still?” Her look was straight and open, and the urge to laugh changed abruptly into an equally strong urge to burst into tears. Of all the unlikely sources of succor I could have imagined… I took a deep breath and put out my hand.
“I’ll have you.”
Her small firm fingers wove through mine, and as simply as that, it was done. No need for apologies or spoken forgiveness. She’d never had to wear the mask that Jamie did. What she thought and felt was there in her eyes, those slanted blue cat-eyes she shared with her brother. She knew me, now, for what I was—and knew I loved—had always loved–her brother with all my heart and soul–despite the minor complications of being presently married to someone else. And that knowledge obliterated years of mistrust, suspicion, and injury.
She heaved a sigh, eyes closing for an instant, then opened them and smiled at me, mouth trembling only a little.
“Well, fine and dandy,” said Mrs. Figg, shortly. She narrowed her eyes and rotated smoothly on her axis, taking in the panorama of destruction. The railing at the top of the stair had been ripped off, and cracked banisters, dented walls, and bloody smudges marked the path of William’s descent. Shattered crystals from the chandelier littered the floor, glinting festively in the light that poured through the open front door, the door itself hanging drunkenly from one hinge.
“Merde on toast,” Mrs. Figg murmured. She turned abruptly to me, her small black-currant eyes still narrowed. “Where’s his lordship?”
“Ah,” I said. This was going to be rather sticky, I saw. While deeply disapproving of most people, Mrs. Figg was devoted to John. She wasn’t going to be at all pleased to hear that he’d been abducted by–
“For that matter, where’s my brother?” Jenny inquired, glancing round as though expecting Jamie to appear suddenly out from under the settee.
“Oh,” I said. “Hm. Well…” Possibly worse than sticky. Because…
“And where’s my Sweet William?” Mrs. Figg demanded, sniffing the air. “He’s been here; I smell that stinky cologne he puts on his linen.” She nudged a dislodged chunk of plaster disapprovingly with the toe of her shoe.
I took another long, deep breath, and a tight grip on what remained of my sanity.
Mrs. Figg,” I said, “perhaps you would be so kind as to make us all a cup of tea?”
[end section]
OUTLANDER: The Musical is now on iTUNES!
Update: The information on this blog is now out of date.
As of June 27, 2016, sales of the "Outlander: The Musical" were discontinued on iTunes and other outlets in the U.S. You still may buy a copy using paypal from the musical’s home page at:
http://www.outlanderthemusical.com/
Original post from Oct. 15, 2011:
Yay! I’m delighted to be able to tell you that—at long last—OUTLANDER: The Musical is available on iTunes!
Thanks to Kevin Walsh, the composer of OTM, who made arrangements through the British Academy of Composers, Songwriters and Authors to make this happen. (Many thanks also to the BACSA!).
You can, of course, still get the whole CD (which is probably a better Christmas present than a 99-cent iTunes gift card), either from Amazon.com or from Mike Gibb (the OTM lyricist), but now you can download your favorite songs to your iPod without the nuisance of ripping them. {g}
And for those of you who’ve got copies of the OUTLANDER 20th Anniversary Edition—you have a sampler CD bound inside the back cover, which will give you a chance to listen to four of the OTM songs. (I know most of you know that already, but I met several people at the last book-signing I did who didn’t realize there was a CD in the book, so thought I’d mention it.)
And of course, there’s a link in the middle of this page to the OUTLANDER: The Musical website, which will give you lots more information.
The nice-looking people above are Allan Scott-Douglas, who sings the role of Jamie Fraser on the CD, and Sue Robertson, who sings Claire.
This blog was updated on Sunday, August 7, 2016, by Diana’s Webmistress.
Sedona Book Festival this Saturday!
I’ll be appearing THIS SATURDAY (October 1) at the Third Annual Sedona Book Festival! This is being held at Yavapai College: Sedona Center for Arts & Technology – 4215 Arts Center Drive – Sedona, Arizona.
See here for details and directions.
The Festival is from 9 AM to 5 PM. I’ll be speaking at 2 PM, and signing books afterward. The Well Red Coyote bookstore will be supplying books (if you’re not able to attend, you might want to call or email the bookstore to ask them to have a book signed for you).
Email: books@wellredcoyote.com
Telephone:928-282-2284 (Mountain Time)
Yes, I’ll probably be reading excerpts from THE SCOTTISH PRISONER _and_ from WRITTEN IN MY OWN HEART’S BLOOD.
See you there!
NEW OFFICIAL FACEBOOK PAGE!
Well, this is exciting. I haven’t heretofore had anything to do with Facebook—feeling that there wasn’t world enough, or time, to deal with building a decent Facebook presence on top of everything else. The kindly and artistic souls at Random House, though, have built one _for_ me, and Facebook’s recent changes have resulted in several scattered non-official DG pages now being consolidated.
The Random House people made a beautiful app for the page, which you can see by clicking on the “Extras” link. (I’m told that you need to temporarily disable Secure Browsing to look at this, but that SB resumes automatically as soon as you go back to what you were doing. I have no real idea what this _means_, but will ask the Random House people.)
Now, I _do_ need to be working on WRITTEN IN MY OWN HEART’S BLOOD, among other things, and therefore can’t spend hours a day on Facebook. But I will try to stop by at least once a day, and will post things regularly there.
For those of you who are following the #DailyLines postings on Twitter—you can see those both here on this website, _and_ now on the “Extras” section of the new Facebook page.
Anyway…you can visit the new page here.
BOOK EIGHT HAS A TITLE!
Which is….
WRITTEN IN MY OWN HEART’S BLOOD
(I still want an octopus on the cover, but we’ll deal with that later.)
*****************************************************
Now home from DragonCon!! Had a good time, but good to be back. Further info on title, pursuant to questions:
Y’all are assuming I _know_ everything about that title, which is not the case. {g} I do know a _few_ things, though:
First off, it has to do with the printing trade, the written word, and its effect on the American Revolution (and the effect of the Revolution on the printers and writers, for that matter). That’s why it specifically needs the “written with…”–
Though that part has also to do with Roger, but I’m not going to tell you why.
And as I said (I think) earlier, it has to do with the Gaelic term “A chuisle,” meaning, “my heart’s blood”–to refer to a beloved child. (You recall that Jamie uses it of his adopted grandchildren as well as those who really _are_ of his physical blood.) Ergo, possibly—you think?–to do with family relationships, of which there are One Heck of a Lot in this book.
I can’t think why some folk assume there’s anything ominous about the title. It just means that something’s done–e.g., written–with passion, not that someone’s stabbing themselves in the chest with a quill and going GAK! on their desk. Have we never heard of imagery or metaphor, for heaven’s sake?
And no, it certainly doesn’t give any intimation that this is the last book. What about it sounds like “THIS IS THE END?” IF it should turn out to be the last book, I’d tell you straight out. At the moment, I’m thinking the odds are against it being the final one, but I won’t know that for a few months yet.
As for the person who thought someone was going to die in this book….well, I can give you pretty good odds on that one. I’ve never written a book that didn’t have anybody dying in it. (And fwiw, Jamie’s _been_ dead for at last part of every single book in the series. It isn’t necessarily fatal, you know. {g})
And as for not sounding like the other books in the series–it has the same number of words, the same number of syllables, and the same rhythm as A BREATH OF SNOW AND ASHES. Most of the books are paired, in terms of title structure: OUTLANDER/VOYAGER, DRAGONFLY IN AMBER/DRUMS OF AUTUMN, A BREATH OF SNOW AND ASHES/WRITTEN WITH MY HEART’S OWN BLOOD (I’m leaning toward “Heart’s Own,” if only because “HOB” is easier to pronounce). Only THE FIERY CROSS and AN ECHO IN THE BONE are unlike the others. (I didn’t do this on purpose, btw, with the exception of DRUMS OF AUTUMN–that one _was_ chosen specifically to echo DRAGONFLY (and is subsequently the weakest title of the bunch).)