THE CHILDREN’S BOOK I love A.S. Byatt’s work. She writes “literary fiction”–this being on one hand a catchall phrase for any book that doesn’t fit conveniently into a genre designation, and on the other, a term that generally implies particularly good writing, often accompanied by unique insight and acute perception. Byatt’s got all of this, in spades. (Some of you might remember her earlier book, POSSESSION: A Romance. (One British friend told me he’d picked up a copy of this in the library, to find that an earlier reader had penciled a helpful message on the title page: “They finally do it on page 572.” I mention this in case you too might find it helpful.)) She also writes books in which terrifically interesting things happen—not always a hallmark of literary fiction [g]. THE CHILDREN’S BOOK is a wonderful creation, set during the transition between the late nineteenth century and the early twentieth, which encompasses the flowering romanticism of the Arts and Crafts Movement in England (I found this part […]
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