Here’s the “first-look” trailer presented at the recent Fan Event in Los Angeles, with a fascinating glimpse of the new cable-tv series (being produced by Starz), to be released sometime this summer!
Hope you enjoy it!
Here’s the “first-look” trailer presented at the recent Fan Event in Los Angeles, with a fascinating glimpse of the new cable-tv series (being produced by Starz), to be released sometime this summer!
Hope you enjoy it!
“In the light of eternity, time casts no shadow.”
[Excerpt from WRITTEN IN MY OWN HEART’S BLOOD, to be published June 10th.]
It was perhaps four o’clock ack emma. Or before sparrow-fart, as the British armed forces of my own time used to put it. That sense of temporal dislocation was back again, memories of another war coming like a sudden fog between me and my work, then disappearing in an instant, leaving the present sharp and vivid as Kodachrome. The army was moving.
No fog obscured Jamie. He was big and solid, his outlines clearly visible against the shredding night. I was awake and alert, dressed and ready, but the chill of sleep still lay upon me, making my fingers clumsy. I could feel his warmth, and drew close to him, as I might to a campfire. He was leading Clarence, who was even warmer, though much less alert, ears sagging in sleepy annoyance.
“You’ll have Clarence,” Jamie told me, putting the mule’s rein in my hand. “And these, to make sure ye keep him, if ye should find yourself on your own.” “These” were a heavy pair of horse pistols, holstered and strung on a thick leather belt that also held a shot-bag and powder-horn.
“Thank you,” I said, swallowing as I wrapped the reins around a sapling in order to belt the pistols on. The guns were amazingly heavy—but I wouldn’t deny that the weight of them on my hips was amazingly comforting, too.
“All right,” I said, glancing toward the tent. “What about—“
“I’ve seen to that,” he said, cutting me off. “Gather the rest of your things, Sassenach; I’ve nay more than a quarter-hour, at most, and I need ye with me when we go.”
I watched him stride off into the melee, tall and resolute, and wondered—as I had so often before—_Will it be today? Will this be the last sight I remember of him_? I stood very still, watching as hard as I could.
When I’d lost him the first time, before Culloden, I’d remembered. Every moment of our last night together. Tiny things would come back to me through the years: the taste of salt on his temple and the curve of his skull as I cupped his head, the soft fine hair at the base of his neck thick and damp in my fingers…the sudden, magical well of his blood in dawning light when I’d cut his hand and marked him forever as my own. Those things had kept him by me.
And when I’d lost him this time to the sea, I’d remembered the sense of him beside me, warm and solid in my bed, and the rhythm of his breathing. The light across the bones of his face in moonlight and the flush of his skin in the rising sun. I could hear him breathe, when I lay in bed alone in my room at Chestnut Street—slow, regular, never stopping—even though I knew it _had_ stopped. The sound would comfort me, then drive me mad with the knowledge of loss, so I pulled the pillow hard over my head in a futile attempt to shut it out—only to emerge into the night of the room, thick with woodsmoke and candlewax and vanished light, and be comforted to hear it once more.
If this time…but he had turned, quite suddenly, as though I’d called his name. He came swiftly up to me, grasped me by the arms and said in a low, strong voice, “It willna be today, either.”
Then he put his arms around me and drew me up on tiptoe into a deep, soft kiss. I heard brief cheers from a few of the men nearby, but it didn’t matter. Even if it should be today, I would remember.
[end section]
[This excerpt is from WRITTEN IN MY OWN HEART’S BLOOD (which will be published June 10th, 2014. Copyright 2013 Diana Gabaldon.]
She was shaking. Had been shaking ever since Lionel Menzies left. With a faint sense of abstraction, she held out her hand, fingers spread, and watched it vibrate like a tuning fork. Then, irritated, made a fist and smacked it hard into the palm of her other hand. Smacked it again and again, clenching her teeth in fury, until she had to stop, gasping for breath, her palm tingling.
“OK,” she said, under her breath, teeth still clenched. “_OK_.” The red haze had lifted like a cloud, leaving a pile of cold, icy little thoughts under it.
_We have to go.
Where?
And when_?
And the coldest of all:
_What about Roger?_
She was sitting in the study, the wood paneling glowing softly in the candlelight. There was a perfectly good reading-lamp, as well as the ceiling fixture, but she’d lit the big candle instead. Roger liked to use that when he wrote late at night, writing down the songs and poems he’d memorized, sometimes with a goose-quill. He said it helped him recall the words, bringing back an echo of the time where he’d learned them.
The candle’s smell of hot wax brought back an echo of _him_. If she closed her eyes, she could hear him, humming low in his throat as he worked, stopping now and then to cough or clear his damaged throat. Her fingers rubbed softly over the wooden desk, summoning the touch of the rope-scar on his throat, passing round to cup the back of his head, bury her fingers in the thick black warmth of his hair, bury her face in his chest…
She was shaking again, this time with silent sobs. She curled her fist again, but this time, just breathed until it stopped.
“This will _not_ do,” she said out loud, sniffed deeply, and clicking on the light, she blew out the candle and reached for a sheet of paper and a ballpoint pen.
November is the month of Los Dias de Los Muertos, the Days of the Dead, when we pray for our dead and hold them close. Tomorrow begins Advent, the season of hope. May your way lie in light, looking forward or back.
[From “Virgins,” a novella published in the anthology DANGEROUS WOMEN, edited by George R.R. Martin and Gardner Dozois. Copyright 2013 Diana Gabaldon]
Ian had made Jamie come with him to the cathedral of St. Andre, and insisted he go to confession. Jamie had balked—no great surprise.
“No. I can’t.”
“We’ll go together.” Ian had taken him firmly by the arm and very literally dragged him over the threshold. Once inside, he was counting on the atmosphere of the place to keep Jamie there.
His friend stopped dead, the whites of his eyes showing as he glanced warily around.
The stone vault of the ceiling soared into shadow overhead, but pools of colored light from the stained-glass windows lay soft on the worn slates of the aisle.
“I shouldna be here,” Jamie muttered under his breath.
“Where better, eejit? Come on,” Ian muttered back, and pulled Jamie down the side aisle to the chapel of Saint Estephe. Most of the side-chapels were lavishly furnished, monuments to the importance of wealthy families. This one was a tiny, undecorated stone alcove, containing little more than an altar, a faded tapestry of a faceless saint, and a small stand where candles could be placed.
“Stay here.” Ian planted Jamie dead in front of the altar and ducked out, going to buy a candle from the old woman who sold them near the main door. He’d changed his mind about trying to make Jamie go to confession; he knew fine when ye could get a Fraser to do something, and when ye couldn’t.
He worried a bit that Jamie would leave, and hurried back to the chapel, but Jamie was still there, standing in the middle of the tiny space, head down, staring at the floor.
“Here, then,” Ian said, pulling him toward the altar. He plunked the candle—an expensive one, beeswax and large—on the stand, and pulled the paper spill the old lady had given him out of his sleeve, offering it to Jamie. “Light it. We’ll say a prayer for your Da. And…and for her.”
He could see tears trembling on Jamie’s lashes, glittering in the red glow of the sanctuary lamp that hung above the altar, but Jamie blinked them back and firmed his jaw.
“All right,” he said, low-voiced, but he hesitated. Ian sighed, took the spill out of his hand, and standing on tip-toe, lit it from the sanctuary lamp.
“Do it,” he whispered, handing it to Jamie, “or I’ll gie ye a good one in the kidney, right here.”
Jamie made a sound that might have been the breath of a laugh, and lowered the lit spill to the candle’s wick. The fire rose up, a pure high flame with blue at its heart, then settled as Jamie pulled the spill away and shook it out in a plume of smoke.
They stood for some time, hands clasped loosely in front of them, watching the candle burn. Ian prayed for his mam and da, his sister and her bairns…with some hesitation (was it proper to pray for a Jew?), for Rebekah bat-Leah, and with a sidelong glance at Jamie, to be sure he wasn’t looking, for Jenny Fraser. Then the soul of Brian Fraser…and then, eyes tight shut, for the friend beside him.
The sounds of the church faded, the whispering stones and echoes of wood, the shuffle of feet and the rolling gabble of the pigeons on the roof. Ian stopped saying words, but was still praying. And then that stopped too, and there was only peace, and the soft beating of his heart.
He heard Jamie sigh, from somewhere deep inside, and opened his eyes. Without speaking, they went out, leaving the candle to keep watch.
Thanks to Outlander_Starz (and Sam Heughan and Adhamh O’ Broin) for the lovely Gaelic lesson!
“Speak Outlander, Lesson 1: Sassenach”
[And on a more sober note, please take a moment for prayer or kind thoughts in support of those killed, injured or bereaved by the dreadful helicopter crash in Glasgow yesterday.]
For those who live in the Phoenix Metro area (and have survived Black Friday
This is just a sign-and-chat; not a formal event. (_I_ don’t mind if you bring your books from home to be signed, but you might check with the bookstore to see if it’s OK by them.)
Address and phone:
Changing Hands Bookstore
6428 S McClintock Dr, Tempe, AZ 85283
480.730.0205
[Google maps link and other information on their website]
I’m pleased to announce that WRITTEN IN MY OWN HEART’S BLOOD (aka MOBY) will be published by Random House (US) on June 10th, 2014.
To answer a few questions that I _know_ the answer to:
Canada always publishes on the same date as the US.
The UK (and its territories, Australia and New Zealand) usually publishes very near the US date, but not invariably on the _same_ day. It might be, it might be a few days earlier, it might be later, I don’t know. Will tell you as soon as I do.
Germany will likely publish quite close to the same date as the US, perhaps a little sooner. I don’t know about that yet.
Almost all other non-English publishers will publish about a year after the US/English edition, because they have to allow time for translation, and a Big Book takes a long time to translate. (Germany gets much faster translation because I have a close personal relationship with the German translator, and she works with me while I write.)
The book-tour for MOBY is being rescheduled as we speak. The launch party will be held in Scottsdale, AZ, by the Poisoned Pen bookstore, at the Arizona Biltmore Hotel, 6-10 PM, June 10th.
That’s ALL I know for now. As soon as the dates are re-set (spoke to the Random House publicist this morning and she says she thinks most of the dates and events previously scheduled will be the same), I’ll post the list everywhere.
Well. I _really_ hate writing this, and I do apologize….but the pub date for MOBY is moving.
Two reasons for this:
1. The first—and by far the most important—is that I began to realize about a month ago that I needed a little more time in order to finish the book the way it needs to be done. I could get the necessary wordage on paper by the end of the year—but it wouldn’t be _good_. Good takes more time. And I’m really sorry, but you’re not getting a book that’s less than the best I can do.
2. The second thing has to do with the new Starz tv show. Two things about _that_:
a. While the original guess as to the date for the series release was April, that _was_ only a guess. In New York last month, the Starz people were telling me (and the assorted fans present; it’s not a secret) that it will be (take your pick), “June,” “July,” “August,” or “summer.” So, you know…later.
b. While I don’t have (and don’t want) “control” over anything to do with the show, I actually am (by contract) a consultant. And while I told the production people that I considered my main job to be staying out of their way, they are amazingly generous about including and involving me. And I am actually required to do promotional things for the PR side of the production. Sooo….am I going to say, “Sorry, I can’t be paying attention to all this fascinating stuff going on, and I’m not going to New York Comic Con, because I have to stay home and finish my novel?” Errr….no. (I mean, really—would _you_?)
So. I would have told you this a week or so ago, but once I’d made the decision that I needed an extra two months to do the book properly, all of the publishers needed to be officially informed. (Publishers hate finding out important things on Twitter or Facebook.)
Now, it’s up _to_ those publishers now to decide on a new pub date. They need to take into consideration all kinds of things, including the new date for the tv show’s release (not that there is an _official_ date as yet—and even if there was, it could move. Stuff Happens, as I’ve told you before), plus the usual considerations—where they can find a good slot in their existing schedule, what’s a good time of year for it, and so on.
I don’t have any idea what the new pub date might be. I’ll tell you the minute we know. But my immediate concern is for all the people I’ve seen this week excitedly making plans to come and see me in Portland or wherever.
Since the pub date is moving….I’m afraid (and my Deep Apologies to the poor publicists) all the tour events will have to be rescheduled, once a new date is chosen.
Now, I know a lot of you have been ordering tickets to the Portland event on April 6th. I’ll talk to the Random House people and the Portland people, and see what can be worked out. I’m happy to go and do that event, even if it’s not part of the official book-tour, if the organizers want that. But that’s up to them. I _will_ do my best to make sure you aren’t harmed by the change, though.
I’m sorry about this, and I thank you for your patience and understanding.