WHAT NEXT?

See the note below—this post is from July 6, 2014 and is a bit outdated…

I’m about to head back out in a few hours, to do my _last_ US/Canadian book-tour event in Traverse City, MI. But thought I might grab an hour to do a bit of updating before I absquatulate again…

First—I’m delighted that so many of you like MOBY!* Thank you so much for all your kind words.

As for the next book(s), I have no idea.** I finished writing MOBY on April 15th (having stayed up 36 hours straight to do it), spent the rest of April working 16 hours a day to finish the copyedits and galley proofs, then spent most of May dealing with everything (including stuff associated with the TV show) that was pushed out of the way during the Final Frenzy of MOBY. And on June 7th, all hell broke loose and I’ve essentially been on the road for a solid month, with three brief touchdowns at home (ranging from 12 hours to a whole day-and-a-half). So far, I’ve signed roughly 38,000 copies of MOBY and will undoubtedly hit between 40-50,000 by the end of summer. (No, I don’t have carpal-tunnel syndrome, but thank you for your concern.)

Now, I realize that it’s difficult to know what to say to a writer at a book-signing; I’d be tongue-tied myself, in the presence of someone I admired but didn’t know. It’s always great to hear, "I loved this book!" or "I love your books and I’m really looking forward to reading this one!" if you need a default. "WHEN WILL BOOK NINE BE OUT?!?" is possibly a little less welcome.

But I do appreciate the enthusiasm/impatience that spawn this question, so here’s what my immediate writing future looks like (assuming I survive the rest of the summer):

At the moment, there are only scraps of Book Nine—plus a useful "What I Know" document that I wrote right after finishing MOBY, about the "shelf-hung" subplots (those are bits that are kind of folded back on themselves, but not left as cliffhangers—like where William is going or what will happen to Lord John next).

I haven’t even formally sifted MOBY’s Mfile (the regularly updated list of files written for a specific book) and moved the remnant files to JAMIE9 (the directory/folder for Book Nine) yet (that’s a two-day job in itself). The next thing I do is to go through my major reference shelves, cleaning and tidying, and in the process, assemble the "core" shelf for Book 9–for any book, no matter how many references I consult along the way, there will end up being maybe five books that are _very_ helpful/relevant and that I use a lot, and maybe 5-10 more that I want to keep close to hand, for more limited but still important stuff. I keep one shelf for that core reference stuff, and refurbish it when I start serious work on a new novel. adding new sources as I come across them. Then I read through the relevant portions of ALMANAC OF THE AMERICAN REVOLUTION, a _very_ useful book that gives brief notes on everything happening everywhere <g> on a given day, that had any importance in the Revolution. This is my first pass at a historical timeline (which lives in my head and evolves constantly over the course of a book). I’ll probably write bits and pieces while I’m doing these necessary chores, but it’s pretty random and nothing like the sustained effort that comes as I move fully into a book.

In other words, you’re not likely to see #DailyLines from Book Nine for awhile.

Now, there’s a _lot_ of THE OUTLANDISH COMPANION, Volume 2 in existence. I’ve been messing about with that on the side for the last 2-3 years, and most of it is _there_, if not yet tidied into its final form. There are a few chunks of original writing still to be done for that–the detailed synopsis for MOBY is the first that springs to mind, though I’ll also need to add commentary to a largish excerpt section (specialized excerpts), and a few other bits to be collected or contracted (i.e., I may have to get someone to produce things like maps or floor-plans, as I can’t do better than crude sketches on my own). But IF I move OC2 to the top of the work pile (not as the main focus, but as the main side-project), it _might_ be ready for delivery to the publisher around January, and thus might be in print sometime in the first half of 2015, which would be nice. (I also need to do slight updates to OC1, removing obsolete material and maybe improving the Gaelic Pronunciation Guide—that sort of thing.)

Then there’s the HOW TO (AND HOW _NOT_ TO) WRITE SEX-SCENES ebook. That’s actually complete, but I finished it right before both the show and MOBY hit high gear, so I now need to read it through again and do final fiddles (and maybe include a few scenes from MOBY), then run it past my agent for response and suggestions (if any). Ebooks can be produced _very_ fast, though, so once we’re happy with it, it could be out within a couple of months–I’d kind of like to have it out this fall, but that’s a matter for discussion with agents, publishers, etc.

And more or less on the same level with Book Nine (in terms of how eager I am to work on them) are the prequel volume about Jamie’s parents (for which I have only fragments at the moment) and the first contemporary crime novel. I think I have about half of that, and it’s "live" for me–but will take a good bit of intensive work, both in terms of research and writing. On the other hand, it’s short by comparison with everything else on my menu.

And on the outskirts of my mind are the germs of what might eventually be novellas, but I haven’t had the time even to _look_ at those with any attention. They _are_ brief, though, and I might well pick one up to get back into my regular routine–come September. I’ll be traveling/working most of July and August, and won’t have anything like peace and quiet ’til Labor Day. (No, I’m not going to Dragon Con this year, unless Starz decides they want to have a presence there for the show, and at the moment, they don’t.)

In the meantime, any eager soul who foolishly asks me, "When will Book Nine be out?" will be politely ignored. Or bonked on the head with the copy of MOBY they just asked me to sign, depending…

*(And for those few who complained that the ending of MOBY was a cliffhanger….go back and read the end of AN ECHO IN THE BONE, to see what one actually looks like. <g> If you just wanted to "see" what happened next in MOBY…feel free to fill in your own version of "OMG! OMG! OMG! <hughughug> <weep tears of joy> OMG! OMG! OMG! <broken endearments> OMG? OMG? OMG? <hopping up and down> OMG!" I have complete faith in my readers’ intelligence and imagination, and I don’t tell y’all things I know you can figure out for yourselves.)

**Webmistress’s Note on August 28, 2015: A lot has changed in the year since Diana posted the blog above on July 6, 2014:

• See Diana’s Book Nine webpage for excerpts (aka "Daily Lines") and current information.
• The revised, updated and expanded version of THE OUTLANDISH COMPANION, VOLUME ONE, was published on March 31, 2015 in the U.S.A. This ultimate guide to the OUTLANDER series covers the first four major novels: OUTLANDER, DRAGONFLY IN AMBER, VOYAGER, and DRUMS OF AUTUMN. (The original OC was published in 1999. The U.K. edition of this guide was titled THROUGH THE STONES.)
• THE OUTLANDISH COMPANION, VOLUME TWO will be published in the U.S.A. on October 27, 2015. OC II is the guide to the second four major novels in the OUTLANDER series: THE FIERY CROSS, A BREATH OF SNOW AND ASHES, AN ECHO IN THE BONE, and WRITTEN IN MY OWN HEART’S BLOOD (aka "MOBY").

Tagged as: Book Nine, Diana Gabaldon, MOBY, novellas, OUTLANDISH COMPANION Volume 2, Prequel, WRITTEN IN MY OWN HEART'S BLOOD