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“Lie down,” I said firmly, and pointed to my lap.
“Nay, I’ll be f—”
“I don’t care whether you’re fine or not,” I said. “I said, lie down.”
“I’ve work to—”
“You’ll be flat on your face in another minute,” I said. “Lie. Down.”
He opened his mouth, but a spasm of pain made him shut his eyes, and he couldn’t locate any words with which to argue. He swallowed, opened his eyes, and sat down beside me, very gingerly. He was breathing slowly and shallowly, as though drawing a deep breath might make things worse.
I stood up, took his shoulders and turned him gently so I could reach his plait. I undid his ribbon and unraveled the thick strands of auburn hair. It still was mostly red, though soft white threads caught the light here and there.
“Down,” I said again, sitting and pulling his shoulders toward me. He moaned a little, but stopped resisting and lowered himself very slowly, ’til his head rested heavy in my lap. I touched his face, my fingers feather-light on his skin, tracing the bones and hollows, temples and orbits, cheekbones and jaw. Then I slid my fingers into the soft mass of his hair, warm in my hands, and did the same to his scalp. He let out his breath, carefully, and I felt his body loosen, growing heavier as he relaxed.
“Where does it hurt?” I murmured, making very light circles round his temples with my thumbs. “Here?”
“Aye… but…” He put up a hand, blindly, and cupped it over his right eye. “It feels like an arrow—straight through into my brain.”
“Mmm.” I pressed my thumb gently round the bony orbit of the eye, and slid my other hand under his head, probing the base of his skull. I could feel the muscles knotted there, hard as walnuts under the skin. “Well, then.”
I took my hands away and he let his breath out.
“It won’t hurt,” I reassured him, reaching for the jar of blue ointment.
“It does hurt,” he said, and squinched his eyelids as a fresh spasm seized him.
“I know.” I unlidded the jar, but let it stand, the sharp fragrance of peppermint, camphor and green peppercorns scenting the air. “I’ll make it better.”
He didn’t make any reply, but settled himself as I began to massage the ointment gently into his neck, the base of his skull, the skin of his forehead and temples. I couldn’t use the ointment so close to his eye, but put a dab under his nose, and he took a slow, deep breath. I’d make a cool poultice for the eye when I’d finished. For now, though…
“Do you remember,” I said, my voice low and quiet. “Telling me once about visiting Bird Who Sings in the Morning? And how his mother came and combed your hair?”
“Aye,” he said, after a moment’s hesitation. “She said… she would comb the snakes from my hair.” Another hesitation. “She… did.”
Clearly he did remember—and so did I recall what he’d told me about it. How she’d gently combed his hair, over and over, while he told her—in a language she didn’t speak—the trouble in his heart. Guilt, distress… and the forgotten faces of the men he’d killed.
There is a spot, just where the zygomatic arch joins the maxilla, where the nerves are often inflamed and sensitive….yes, just there. I pressed my thumb gently up into the spot and he gasped and stiffened a little. I put my other hand on his shoulder.
“Shh. Breathe.”
His breath came with a small moan, but he did. I held the spot, pressing harder, moving my thumb just a little, and after a long moment, felt the spot warm and seem to melt under my touch. He felt it too, and his body relaxed again.
“Let me do that for you,” I said softly. The wooden comb he’d made me sat on the little table beside the jar of ointment. With one hand still on his shoulder, I picked it up.
“I… no, I dinna want…” But I was drawing the comb softly through his hair, the wooden teeth gentle against his skin. Over and over, very slowly.
I didn’t say anything for quite some time. He breathed. The light came in low now, the color of wildflower honey, and he was warm in my hands, the weight of him heavy in my lap.
“Tell me,” I said to him at last, in a whisper no louder than the breeze through the open window. “I don’t need to know, but you need to tell me. Say it in Gaelic, or Italian or German—some language I don’t understand, if that’s better. But say it.”
His breath came a little faster and he tightened, but I went on combing, in long, even strokes that swept over his head and laid his hair untangled in a soft, gleaming mass over my thigh. After a moment, he opened his eyes, dark and half-focused.
“Sassenach?” he said softly.
“Mm?”
“I dinna ken any language that I think ye wouldna understand.”
He breathed once more, closed his eyes, and began haltingly to speak, his voice soft as the beating of my heart.
Click here to visit my BEES webpage.
I also posted this excerpt (“Daily Lines”) from GO TELL THE BEES THAT I AM GONE, Book Nine of my OUTLANDER series of novels, on my official Facebook page on January 11, 2018.
Love it all! I have now read every word in the Outlander series (all novellas too) written by you. It is easy to see why you are the favorite author of so many people, myself included! The excerpts are great, but I am anxious to read what happens next. I hate to sound so needy, but any clue when we will be able to read “Bees”?
Dear Sheila,
It’s wonderful that you and others are excited about BEES, but this question is sent to Diana each week so often in various ways: on her official social media accounts, asked in web comments like yours, and even sent to me, the Webmistress!
And the answer is always the same. When Diana and her publishers announce the release date of GO TELL THE BEES THAT I AM GONE, Book 9 of the Outlander series, it will appear on her official BEES webpage at:
http://www.dianagabaldon.com/books/outlander-series/book-nine-outlander-series/
The news will also be announced on her web blog, on her social media accounts, and no doubt immediately will spread all over the international news media very quickly. (Her books are now translated into 34 languages!)
Diana’s books require hours and hours of historical and other research besides the many hours of writing and editing the actual book. She will not release a book until she feels it is the best she can do. And you wouldn’t want anything less.
Have you tried the books Diana suggests on her Methadone List?
http://www.dianagabaldon.com/resources/the-methadone-list/
Those might help some in the interim.
Cheers,
Loretta
Diana’s Webmistress
Hi Diana
As the Outlander cast is having a 7 month break until they start filming again, will this give you the time to finish ‘ Go tell the Bees I am gone’ ? I do so hope so and even more please. Bree and Roger have children now. Thank you for giving me hrs of pleasure reading your books, include the Lord John Grey.