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	<title>DianaGabaldon.com &#187; SCOTTISH PRISONER</title>
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		<title>THE FOURTH SUNDAY OF ADVENT</title>
		<link>https://dianagabaldon.com/2013/12/the-fourth-sunday-of-advent/</link>
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		<pubDate>Mon, 23 Dec 2013 08:48:04 +0000</pubDate>
		<dc:creator><![CDATA[Diana]]></dc:creator>
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		<description><![CDATA[It’s a short Advent season this year, Christmas coming so soon after the Fourth Sunday, but we are the more expectant in our anticipation, and deeper in our gratitude for the blessings of home and family. May the blessings of the season be with you and yours! [This excerpt is from the end of THE SCOTTISH PRISONER (aka DIE FACKELN DER FREIHEIT, in German).] It was cold in the loft, and his sleep-mazed mind groped among the icy drafts after the words still ringing in his mind. “_Bonnie lad_.” Wind struck the barn and went booming round the roof. A strong chilly draft with a scent of snow stirred the somnolence, and two or three of the horses shifted below, grunting and whickering. _Helwater_. The knowledge of the place settled on him, and the fragments of Scotland and Lallybroch cracked and flaked away, fragile as a skin of dried mud. Helwater. Straw rustling under him, the ends poking through the rough ticking, prickling through his shirt. Dark air, alive around [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="https://dianagabaldon.com/wordpress/wp-content/uploads/2013/12/Advent-wreath-four-candles-in-daylight-2013.jpg"><img src="https://dianagabaldon.com/wordpress/wp-content/uploads/2013/12/Advent-wreath-four-candles-in-daylight-2013-762x1024.jpg" alt="Advent wreath four candles in daylight 2013" width="762" height="1024" class="alignleft size-large wp-image-3277" /></a></p>
<p>It’s a short Advent season this year, Christmas coming so soon after the Fourth Sunday, but we are the more expectant in our anticipation, and deeper in our gratitude for the blessings of home and family.</p>
<p>May the blessings of the season be with you and yours!</p>
<p>[This excerpt is from the end of THE SCOTTISH PRISONER (aka DIE FACKELN DER FREIHEIT, in German).]</p>
<p>	It was cold in the loft, and his sleep-mazed mind groped among the icy drafts after the words still ringing in his mind.</p>
<p>	“_Bonnie lad_.”</p>
<p>Wind struck the barn and went booming round the roof.  A strong chilly draft with a scent of snow stirred the somnolence, and two or three of the horses shifted below, grunting and whickering.  _Helwater_.  The knowledge of the place settled on him, and the fragments of Scotland and Lallybroch cracked and flaked away, fragile as a skin of dried mud.</p>
<p>	Helwater.  Straw rustling under him, the ends poking through the rough ticking, prickling through his shirt.  Dark air, alive around him.</p>
<p>	_Bonnie lad_…</p>
<p>	They’d brought down the Yule log to the house that afternoon, all the household taking part, the women bundled to the eyebrows, the men ruddy, flushed with the labor, staggering, singing, dragging the monstrous log with ropes, its rough skin packed with snow, a great furrow left where it passed, the snow plowed high on either side.</p>
<p>	Willie rode atop the log, screeching with excitement, clinging to the rope.  Once back at the house,   Isobel had tried to teach him to sing “Good King Wenceslaus,” but it was beyond him, and he dashed to and fro, into everything until his grandmother declared that he would drive her to distraction and told Peggy to take him to the stable, to help Jamie and Crusoe bring in the fresh-cut branches of pine and fir.   Thrilled, Willie rode on Jamie’s saddle-bow to the grove, and stood obediently on a stump where Jamie had put him, safe out of the way of the axes while the boughs were cut down.  Then he helped to load the greenery, clutching two or three fragrant, mangled twigs to his chest, dutifully chucking these in the general direction of the huge basket, then running back again for more, heedless of where his burden had actually landed.</p>
<p>	Jamie turned over, wriggling deeper into the nest of blankets, drowsy, remembering.  He’d kept it up, the wean had, back and forth, back and forth, though red in the face and panting, until he dropped the very last branch on the pile.    Jamie had looked down to find Willie beaming up at him with pride, laughed and said on impulse, “Aye, that’s a bonnie lad.  Come on.  Let’s go home.”  </p>
<p>	William had fallen asleep on the ride home, his head heavy as a cannonball in its woolen cap against Jamie’s chest.   Jamie had dismounted carefully, holding the child in one arm, but Willie had wakened, blinked groggily at Jamie and said, “WEN-sess-loss,” clear as a bell, then fallen promptly back asleep.   He’d waked properly by the time he was handed over to Nanny Elspeth, though, and Jamie had heard him, as he walked away, telling Nanny, “I’m a bonnie lad!”</p>
<p>	But those words came out of his dreams, from somewhere else, and long ago.  Had his own father said that to him, once?</p>
<p>	He thought so, and for an instant—just an instant—was with his father and his brother Willie, excited beyond bearing, holding the first fish he’d ever caught by himself, slimy and flapping, both of them laughing at him, with him in joy.</p>
<p>	“_Bonnie lad!”</p>
<p>	_Willie.  God, Willie.  I’m so glad they gave him your name_.  He seldom thought of his brother; Willie had died of the smallpox when he was eleven, Jamie, eight.  But every now and then, he could feel Willie with him, sometimes his mother or his father.   More often, Claire.</p>
<p>	_I wish ye could see him, Sassenach_, he thought.  _He’s a bonnie lad.  Loud and obnoxious_, he added with honesty, but _bonnie_.</p>
<p>	What would his own parents think of William?  They had neither of them lived to see any of their children’s children.</p>
<p>	He lay for some time, his throat aching, listening to the dark, hearing the voices of his dead pass by in the wind.  His thoughts grew vague and his grief eased, comforted by the knowledge of love, still alive in the world.  Sleep came near again.</p>
<p>	He touched the rough crucifix that lay against his chest and whispered to the moving air, “Lord, that she might be safe; she and my children.”</p>
<p>	Then turned his cheek to her reaching hand and touched her through the veils of time.</p>
<p>[end section]</p>
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		<title>Jamie, or John?</title>
		<link>https://dianagabaldon.com/2011/06/jamie-or-john/</link>
		<comments>https://dianagabaldon.com/2011/06/jamie-or-john/#comments</comments>
		<pubDate>Sun, 26 Jun 2011 11:26:03 +0000</pubDate>
		<dc:creator><![CDATA[Diana]]></dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[alternate beginnings]]></category>
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		<description><![CDATA[Oookay, then! Sorry to be so late in getting this post up; I’ve been in New Mexico for the last week, and the internet connection there was Just Abysmal; could barely keep it open long enough to tweet, let alone upload anything longer. First things first: Upcoming appearances. I’m flying to New York on Monday, and will be appearing (briefly) at the RWA convention, held at the Marriott Marquis. Appearances will be: The Literacy Signing, where most of the published authors taking part will be available to sell/sign books—this is from 5:30-7:30 on June 28th, at the Marriott Marquis. This event _is_ open to the public, and I _believe_ that you’re allowed to bring in up to three of your own books from home to be signed, if you like. The opening panel of the convention, where I’ll be taking part in a discussion with two other Random House authors, Steve Berry and Tess Gerritsen. This is part of the convention and open only to convention attendees. It’ll be from [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Oookay, then!</p>
<p>Sorry to be so late in getting this post up; I’ve been in New Mexico for the last week, and the internet connection there was Just Abysmal; could barely keep it open long enough to tweet, let alone upload anything longer.<br />
First things first:   Upcoming appearances.</p>
<p>I’m flying to New York on Monday, and will be appearing (briefly) at the RWA convention, held at the Marriott Marquis.   Appearances will be:</p>
<p>The Literacy Signing, where most of the published authors taking part will be available to sell/sign books—this is from 5:30-7:30 on June 28th, at the Marriott Marquis.  This event _is_ open to the public, and I _believe_ that you’re allowed to bring in up to three of your own books from home to be signed, if you like.<br />
The opening panel of the convention, where I’ll be taking part in a discussion with two other Random House authors, Steve Berry and Tess Gerritsen.  This is part of the convention and open only to convention attendees.  It’ll be from 8:30-10:00 AM on June 29th.</p>
<p>Then on July 5th—publication date for the cool new 20th-anniversary OUTLANDER edition!—I fly to Laramie Wyoming, where I’ll be doing the keynote speech for the Sir Walter Scott conference at the University of Wyoming.  The conference program is here http://www.uwyo.edu/scottconf2011/program.html , but I don’t yet have a detailed personal schedule.  I _will_ be doing at least one public book-signing, though; will post time and place as soon as I get them.</p>
<p>On July 8th, I fly _back_ to New York, for ThrillerFest, at the Hyatt.  There, I’ll be doing a Livestream event with James Rollins (Powell’s Books is supplying books to be sold during this event—and I certainly _hope_ they’ll have the 20th-anniversary edition!) from 2-4:00 PM on July 8th.</p>
<p>On the evening of July 8th, I’ll be doing a joint signing with several other authors for a collaborative mystery novel called NO REST FOR THE DEAD.  (This is one of those for-charity efforts—proceeds for this one go to cancer research—where a number of well-known authors take turns writing chapters, and the editor then goes through and kind of smooths things out so the story is coherent.  Or so we hope, anyway.)</p>
<p>The signing will be held at 7:00 PM at the Center for Fiction, (17 East 47th Street, New York, NY 10017), and authors attending will include Peter James, Marcia Talley, John Lescroart, RL Stine, Diana Gabaldon,Jeffery Deaver, Gayle Lynds and Andrew Gulli.  (Just for my own part, I’m fine with people bringing their own books to be signed, too.)  This is open to the public.</p>
<p>Aaaand, on July 9th, I’ll do a Spotlight Interview (at the Hyatt) for ThrillerFest, Kathleen Antrim being the interviewer.  That’s from 1:00-1:50 PM.   And then I’ll do a book-signing for the convention (open only to convention attendees) from 5:00-6:00 PM at the convention bookstore in the hotel.</p>
<p>Then I rush home on the 10th {g}, and do the Official Launch Party for the 20th-anniversary OUTLANDER on July 11th, at The Poisoned Pen bookstore in Scottsdale.  7:00 PM!</p>
<p>Righto.  Now, I had promised to show you the two openings I have for SCOTTISH PRISONER.  As it stands, I’m opening the book with Jamie’s point of view—but I _could_ open with Lord John’s first chapter instead, and do Jamie’s second.  I did it this way because I’d like people to realize right away that this is Jamie’s book, as much as Lord John’s—but it _is_ a Rather Unusual {cough} way to open a book.</p>
<p>So—those of you who don’t read excerpts should stop Right Here.</p>
<p>Those of you who _do_&#8230;here you go, and hope you enjoy them!  Let me know what you think:  Jamie first, or Lord John?</p>
<p>THE SCOTTISH PRISONER<br />
(Copyright 2011 Diana Gabaldon)<br />
Chapter 1:</p>
<p>Helwater, the Lake District<br />
April 1, 1760</p>
<p>It was so cold out, he thought his cock might break off in his hand.  If he could find it.  The thought passed through his sleep-mazed mind like one of the small, icy drafts that darted through the loft, making him open his eyes.<br />
He could find it now; had waked with his fist wrapped round it and desire shuddering and twitching over his skin like a cloud of midges.  The dream was wrapped just as tightly round his mind, but he knew it would fray in seconds, shredded by the snores and farts of the other grooms.  He needed her, needed to spill himself with the feel of her touch still on him.<br />
Hanks stirred in his sleep, chuckled loudly, said something incoherent, and fell back into the void, murmuring, &#8220;Bugger, bugger, bugger&#8230;&#8221;<br />
Jamie said something similar under his breath in the Gaelic, and flung back his blanket.  Damn the cold.<br />
He made his way down the ladder into the half-warm, horse-smelling fug of the barn, nearly falling in his haste, ignoring a splinter in his bare foot.  He hesitated in the dark, still urgent.   The horses wouldn&#8217;t care, but if they noticed him, they&#8217;d make enough noise, perhaps, to wake the others.</p>
<p>Wind struck the barn and went booming round the roof.  A strong chilly draft with a scent of snow stirred the somnolence, and two or three of the horses shifted, grunting and whickering.  Overhead, a murmured &#8220;&#8216;ugger&#8221; drifted down, accompanied by the sound of someone turning over and pulling the blanket up round his ears, defying reality.</p>
<p>Claire was still with him, vivid in his mind, solid in his hands.  He could imagine that he smelled her hair in the scent of fresh hay.  The memory of her mouth, those sharp white teeth &#8230;he rubbed his nipple, hard and itching beneath his shirt, and swallowed.</p>
<p>His eyes were long accustomed to the dark; he found the vacant loose-box at the end of the row and leaned against its boards, cock already in his fist, body and mind yearning for his wife.<br />
He&#8217;d have made it last if he could, but he was fearful lest the dream go altogether and he surged into the memory, groaning. His knees gave way in the aftermath and he slid slowly down the boards of the box into the loose piled hay, shirt rucked round his thighs and his heart pounding like a kettle drum.</p>
<p>[end section]</p>
<p>(more stuff in this chapter, of course)</p>
<p>Chapter 2: The Fate of Fuses</p>
<p>London<br />
Argus House</p>
<p>Lord John Grey eyed the ribbon-tied packet on his knee as though it were a bomb.  In fact, it couldn&#8217;t have been more explosive had it been filled with black powder and equipped with a fuse.<br />
His attitude as he handed it to his brother must have reflected this knowledge, for Hal fixed him with a gimlet eye and raised one brow. He said nothing, though, flicking loose both ribbon and wrapping with an impatient gesture and bending his head at once over the thick sheaf of densely-written sheets that emerged.</p>
<p>Grey couldn&#8217;t stand to watch him read through Charles Carruthers&#8217;s post-mortem denunciation, recalling each damning page as Hal read it.  He stood up and went to the window of the study that looked out into the back garden of Argus House, ignoring the swish of turning pages and the occasional blasphemous mutterings behind him.</p>
<p>Hal&#8217;s three boys were playing a game of tigers and hunters, leaping out at each other from behind the shrubbery with shrill roars, followed by shrieks of delight and yells of &#8220;Bang!  Take that, you striped son of a bitch!&#8221;</p>
<p>The nurse seated on the edge of the fish-pool, keeping a tight grip on baby Dottie&#8217;s gown, looked up at this, but merely rolled her eyes with a martyred expression.  Flesh and blood has its limits, her expression said clearly, and she resumed paddling a hand in the water, luring one of the big goldfish close so that Dottie could drop bits of bread to it.</p>
<p>John longed to be down there with them. It was a rare day for early April, and he felt the pulse of it in his blood, urging him to be outside, running bare-foot through young grass.  Running naked down into the water&#8230; The sun was high, flooding warm through the glass of the French windows, and he closed his eyes and turned his face up to it.</p>
<p>Siverly.  The name floated in the darkness behind his eyes, pasted across the blank face of an imagined cartoon major, drawn in uniform, an outsized sword brandished in his hand, and bags of money stuffed into the back of his breeches, obscene bulges under the skirt of his coat.  One or two had fallen to the ground, bursting open so that you could see the contents&#8211;coin in one, the other filled with what looked like poppets, small wooden doll-like things.  Each one with a tiny knife through its heart.</p>
<p>Hal swore in German behind him.  He must have reached the part about the rifles; German oaths were reserved for the most stringent occasions, French being used for minor things like a burnt dinner, and Latin for formal insults committed to paper.  Minnie wouldn&#8217;t let either Hal or John swear in English in the house, not wanting the boys to acquire low habits.   John could have told her it was too late for such caution, but didn&#8217;t.</p>
<p>He turned round to see Hal on his feet, pale with rage, a sheet of paper crumpled in one hand.</p>
<p>&#8220;How dare he?  How dare he?&#8221;</p>
<p>A small knot he hadn&#8217;t known was there dissolved under John&#8217;s ribs.</p>
<p>&#8220;You believe Carruthers, then?&#8221;</p>
<p>Hal glared at him.</p>
<p>&#8220;Don&#8217;t you?  You knew the man.&#8221;</p>
<p>He had known Charles Carruthers&#8211;in more than one sense.</p>
<p>&#8220;Yes, I believed him when he told me about Siverly in Canada&#8211;and that&#8211;&#8221; he nodded at the papers, thrown in a sprawl across Hal&#8217;s desk, &#8220;&#8211;is even more convincing.  You&#8217;d think he&#8217;d been a lawyer.&#8221;<br />
He could still see Carruthers&#8217;s face, pale in the dimness of his attic room in [town], drawn with ill-health but set with grim determination to live long enough to see justice done.  Charlie hadn&#8217;t lived that long, but long enough to write down every detail of the case against Major Gerald Siverly, and to entrust it to him.</p>
<p>He was the fuse that would detonate this particular bomb.  And he was all too familiar with what happened to fuses, once lit.</p>
<p>[end section]</p>
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		<item>
		<title>Quick Bits</title>
		<link>https://dianagabaldon.com/2011/06/quick-bits/</link>
		<comments>https://dianagabaldon.com/2011/06/quick-bits/#comments</comments>
		<pubDate>Thu, 16 Jun 2011 11:04:50 +0000</pubDate>
		<dc:creator><![CDATA[Diana]]></dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Book Rack]]></category>
		<category><![CDATA[Bubonicon]]></category>
		<category><![CDATA[Diana Gabaldon]]></category>
		<category><![CDATA[Historical Novel Society convention]]></category>
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		<category><![CDATA[SCOTTISH PRISONER]]></category>
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		<description><![CDATA[I&#8217;m _just_ about to take off for the Historical Novel Society conference in San Diego, but wanted to remind everyone that I&#8217;ll be doing a signing at the Book Rack in Mesa on June 22nd, from 1-3 PM. The Book Rack 1752 Signal Butte Rd.Suite 108 Mesa, AZ 85209 Our major crossroads are Signal Butte and the US60 and we are located in the Walmart Parking lot next to Cold Stone Creamery and Panda Express. Our phone number is 480-380-0044. And yes, to those who&#8217;ve been asking, I _will_ be at Bubonicon in late August. I have a load of free Stuff described as &#8220;downloadables&#8221; (wallpapers, screen savers and the like) by Random House, which I&#8217;ll put up here  as soon as I get a chance&#8211;way up past mid-eyeball in finishing SCOTTISH PRISONER, which will likely be done wiithin a week! {crossing fingers} And then&#8230;I have an informal poll question for y&#8217;all, which I&#8217;ll try to put up tomorrow night, i I&#8217;m not too wiped from a six-hour drive, a [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>I&#8217;m _just_ about to take off for the Historical Novel Society conference in San Diego, but wanted to remind everyone that I&#8217;ll be doing a signing at the Book Rack in Mesa on June 22nd, from 1-3 PM.</p>
<p>The Book Rack<br />
1752 Signal Butte Rd.Suite 108<br />
Mesa, AZ 85209</p>
<p>Our major crossroads are Signal Butte and the US60 and we are located in the Walmart Parking lot next to Cold Stone Creamery and Panda Express.</p>
<p>Our phone number is <a href="tel:480-380-0044" target="_blank">480-380-0044</a>.</p>
<p>And yes, to those who&#8217;ve been asking, I _will_ be at Bubonicon in late August.</p>
<p>I have a load of free Stuff described as &#8220;downloadables&#8221; (wallpapers, screen savers and the like) by Random House, which I&#8217;ll put up here  as soon as I get a chance&#8211;way up past mid-eyeball in finishing SCOTTISH PRISONER, which will likely be done wiithin a week!  {crossing fingers}</p>
<p>And then&#8230;I have an informal poll question for y&#8217;all, which I&#8217;ll try to put up tomorrow night, i I&#8217;m not too wiped from a six-hour drive, a dinner cruise, and a dress {ahem} rehearsal in the bar for the Late-Night Sex-Scene readings.  (I normally do these in my nightwear, but Chris Humphreys, who is doing a literary three-way with me and Gillian Bagwell, tells me he requires a sword, one of which I have borrowed from my son.)    SCOTTISH PRISONER is a two-man book&#8211;the men in question being Jamie and Lord John.  At the moment, it begins with Jamie&#8217;s story, with a scene that caused my husband to write, &#8220;Can you even _print_ this?&#8221; in the margin when he read it.   Now, I&#8217;ll definitely use that scene {g]&#8211;but not sure if I should lead off with it.  It might cause new readers either to slam the book shut and throw it back on the table&#8211;or rush to the cash register with it.   But I _could_ begin with Lord John&#8217;s part of the story, which is also very good, but a lot less&#8230;er&#8230;{cough}.  But I&#8217;ll show you both beginnings and you can give me your opinions, if you&#8217;d be so kind!</p>
<p>Manana!  (You&#8217;ll have to imagine the tilde over the first &#8220;n&#8221; there.  I stink at putting in diacritical marks.)</p>
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		<title>WHAT&#8217;S YOUR LINE?</title>
		<link>https://dianagabaldon.com/2011/05/whats-your-line/</link>
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		<pubDate>Sun, 22 May 2011 21:04:19 +0000</pubDate>
		<dc:creator><![CDATA[Diana]]></dc:creator>
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		<category><![CDATA[Diana Gabaldon OUTLANDER Lord John favorite lines]]></category>
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		<description><![CDATA[What&#8217;s your line? Recently, I saw a thread in which people presented/discussed their favorite sentences/lines from the OUTLANDER/Lord John books. Everyone has their favorites, from the funny to the touching, the dramatic, or the philosophical. And sometimes just because they like the way it sounds. {g} Here are just a few that I’ve seen quoted as people’s favorites: &#8220;&#8230;but it all comes right in the end. So it did, I thought&#8211;though often not in any expected way.&#8221; &#8220;&#8230;for I was gromished from the fall and my right ankle gruppit&#8211;and was just about to call once more when I heard sounds of a rare hochmagandy&#8230;&#8221; &#8220;You&#8217;re no verra peaceful, Sassenach&#8230; but I like ye fine.&#8221; &#8220;And what was the ransom, then, that would buy a man&#8217;s soul, and deliver my darling from the power of the dog?&#8221; &#8220;And if thee hunts at night, thee will come home.&#8221; “Holy God.” &#8220;And when my body shall cease, my soul will still be yours. Claire&#8212;I swear by my hope of heaven, I will not [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>What&#8217;s your line?</p>
<p>Recently, I saw a thread in which people presented/discussed their favorite sentences/lines from the OUTLANDER/Lord John books.   Everyone has their favorites, from the funny to the touching, the dramatic, or the philosophical.   And sometimes just because they like the way it sounds. {g}</p>
<p>Here are just a few that I’ve seen quoted as people’s favorites:</p>
<p>&#8220;&#8230;but it all comes right in the end. So it did, I thought&#8211;though often not in  any expected way.&#8221;</p>
<p>&#8220;&#8230;for I was gromished  from the fall and my right ankle gruppit&#8211;and was just about to call once more when I heard sounds of a rare hochmagandy&#8230;&#8221;</p>
<p>&#8220;You&#8217;re no verra peaceful, Sassenach&#8230; but I like ye fine.&#8221;</p>
<p>&#8220;And what was the ransom, then, that would buy a man&#8217;s soul, and deliver my darling from the power of the dog?&#8221;</p>
<p>&#8220;And if thee hunts at night, thee will come home.&#8221;</p>
<p>“Holy God.”</p>
<p>&#8220;And when my body shall cease, my soul will still be yours. Claire&#8212;I swear by my hope of heaven, I will not be parted from you.&#8221;</p>
<p>&#8220;Seems I canna possess your soul without losing my own.&#8221;</p>
<p>&#8220;That&#8217;s all right,&#8221; I assured him.  &#8220;We&#8217;re married.  Share and share aline.  One flesh; the priest said so.&#8221;</p>
<p>&#8220;Only you. Because ye will not let me lie &#8211; and yet ye love me.&#8221;</p>
<p>&#8220;Whatever (your feelings) are, though, they must be exigent, to cause you to contemplate such drastic expedients.&#8221;</p>
<p>&#8220;Don&#8217;t buy any peaches.&#8221;</p>
<p>&#8220;On your right, man.&#8221;</p>
<p>&#8220;Ye scream like a lassie,&#8221; he said, eyes returning to his work.</p>
<p>&#8220;Come to me, Claire, daughter of Henry, strength of my heart&#8230;&#8221;</p>
<p>“Stand by my side, Roger, son of Jeremiah, son of my house…”</p>
<p>&#8220;You are my courage, as I am your conscience,&#8221; he whispered. &#8220;You are my heart&#8212;and I your compassion. We are neither of us whole, alone.&#8221;</p>
<p>“That’s the Third Law of Thermodynamics,” I said.  “No,” he said.  “That’s faith.”</p>
<p>&#8220;What is it about ye that makes men want to take their breeks off within five minutes of meetin’ ye?”(coupled with)  “Well, if you don’t know, my dear…I’m sure no one does.”</p>
<p>&#8220;Ian, &#8230; Ye, sound like your mother. Stop&#8221;</p>
<p>&#8221; I canna tell whether ye mean to compliment my virility, Sassenach, or insult my morals, but I dinna care much for either suggestion.”</p>
<p>“Lord, ye gave me a rare woman, and God! I loved her well.”</p>
<p>&#8220;I am the son of a great man&#8221;.</p>
<p>“I mean to make you sigh as though your heart would break, and scream with the wanting, and at last to cry out in my arms, and I shall know that I&#8217;ve served ye well.&#8221;</p>
<p>“Dinna be afraid.  There are the two of us now.”</p>
<p>I do (naturally enough) like all of those, but my own particular favorite is probably the last sentence from THE FIERY CROSS:</p>
<p>&#8220;When the day shall come that we do part,&#8221; he said softly, and turned to look at me, &#8220;if my last words are not &#8216;I love you&#8217;-ye&#8217;ll ken it was because I didna have time.&#8221;</p>
<p>Now, I like that one particularly, because I didn’t write it.  It’s something my husband actually said to me one day, quite casually, looking up from his Wall Street Journal (minus the Scottish accent).  I do know a good line when I hear one, though.</p>
<p>(Doug, having seen this, says he appreciates the credit, but would rather I mention that he is the source of the advice on how to get rid of crabs (of the pubic lice variety) that Murtagh offers in DRAGONFLY IN AMBER.  This is true.   The part where Jamie is teaching his young nephew not to pee on his feet, remarking, &#8220;It&#8217;s hard when your belly-button sticks out more than your cock does,&#8221; is also one of Doug&#8217;s lines, along with the bit where Jamie (after a drunken night) wakes up, sniffs his oxter and remarks that he smells like a dead boar.  And people wonder where writers get their material&#8230;some of us marry it.)</p>
<p><img class="alignleft size-full wp-image-1028" src="https://dianagabaldon.com/wordpress/wp-content/uploads/2011/05/Dutch-SP-cover.jpg" alt="" width="245" height="370" /></p>
<p>People always do ask me “Which book is your favorite?”—and to me, it’s all One Huge Thing, so I can’t really pick.  But I’m in the habit of saying, “The one I’m working on now—because that’s the one where I don’t yet know everything.”<br />
I’m now in the Final Frenzy phase of SCOTTISH PRISONER (this is where I know Everything, and it’s a matter of how long I can sit at the computer without interruption and/or stopping to eat {g}), so at the moment, I’m in love with this book.  Just for fun, here are a few of the lines that I particularly like from it:</p>
<p>“I haven’t seen a cove that sick since me uncle Morris what was a sailor in a merchant-man come down with the hockogrockle,” said Tom, shaking his head.  “And he died of it.”</p>
<p>“He at once felt better, having taken action, and smoothing his crumpled neckcloth, went in search of fried sardines.”</p>
<p>“And then I heard other noises—screeching and skellochs, and the screaming of horses, aye, but not the noise of battle.  More like folk who are roaring drunk—and the horses, too.”</p>
<p>“Distracted by the vision of amphibians in their thousands locked in slime-wrapped sexual congress amid the dark waters, he caught his foot in a root and fell heavily.”</p>
<p>“Abbot Michael was talking of neutral things: the weather (unusually good and a blessing for the lambs), the state of the chapel roof (holes so big it looked as though a pig had walked across the roof, and a full-grown pig, too), the day (so fortunate that it was Thursday and not Friday, as there would be meat for the mid-day dinner, and of course Jamie would be joining them, he would enjoy Brother Bertram’s version of a sauce, it had no particular name and was of an indistinct color—purple, the abbot would have called it, but it was well known he had no sense of color and had to ask the sacristan which cope to wear in ordinary time, as he could not tell red from green and took it only on faith that there were such colors in the world, but Brother Fionn—he’d have met Brother Fionn, the clerk outside?—assured him it was so, and surely a man with a face like that would never lie, you had only to look at the size of his nose to know that), and other things to which Jamie could nod or smile or make a noise. “</p>
<p>“Behind him, he thought he heard the echo of wild geese calling, and despite himself, looked back.”</p>
<p>[That's the cover for the Dutch edition of SCOTTISH PRISONER, and if you can figure out what it's supposed to be, you're a better man than I am, Gunga Din.]</p>
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