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	<title>DianaGabaldon.com &#187; San Diego</title>
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		<title>Historical Sex Scenes</title>
		<link>https://dianagabaldon.com/2011/04/historical-sex-scenes/</link>
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		<pubDate>Thu, 07 Apr 2011 10:44:41 +0000</pubDate>
		<dc:creator><![CDATA[Diana]]></dc:creator>
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		<category><![CDATA[C.C. Humphreys]]></category>
		<category><![CDATA[Diana Gabaldon]]></category>
		<category><![CDATA[Historical Novel Society]]></category>
		<category><![CDATA[Historical Sex Scenes]]></category>
		<category><![CDATA[San Diego]]></category>

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		<description><![CDATA[Historical Sex Scenes Now, don’t start hyperventilating. This isn’t about how to write historical sex scenes (though I might show you a sort-of one, in a bit*). It’s a solicitation. {g} I was going to start out by saying that I have no idea how this happened, except that I do. I just don’t remember who to blame for it. What did happen was that six(ish) years ago, the Historical Novel Society (of which I am a member) held its biannual conference in Albany. It was the first conference of the HNS that I’d attended, and in my usual amiable way, I’d told the organizers that I’d be happy to do whatever they liked, in the way of panels, etc. So they put me on three or four panels, and one of those was a panel on writing sex scenes. There were six people assigned to the panel—which is kind of a lot, really; you get a great variety of input, but with such a large number, it’s hard to [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Historical Sex Scenes</p>
<p><img class="alignleft size-large wp-image-964" src="https://dianagabaldon.com/wordpress/wp-content/uploads/2011/04/lord-john-2-fiddle-2-665x1024.jpg" alt="" width="665" height="1024" /></p>
<p>Now, don’t start hyperventilating.   This isn’t about how to write historical sex scenes (though I might show you a sort-of one, in a bit*).  It’s a solicitation. {g}</p>
<p>I was going to start out by saying that I have no idea how this happened, except that I do.  I just don’t remember who to blame for it.  What did happen was that six(ish) years ago, the Historical Novel Society (of which I am a member) held its biannual conference in Albany.  It was the first conference of the HNS that I’d attended, and in my usual amiable way, I’d told the organizers that I’d be happy to do whatever they liked, in the way of panels, etc.</p>
<p>So they put me on three or four panels, and one of those was a panel on writing sex scenes.  There were six people assigned to the panel—which is kind of a lot, really; you get a great variety of input, but with such a large number, it’s hard to have a good discussion.</p>
<p>Anyway, the six of us conferred via email as to the best way of managing the panel, traffic-wise, and someone (actually I think it may have been me, maybe I am to blame for this, what a horrifying thought…) said that it’s really hard to talk about the techniques involved in sex scenes without having examples to refer to.</p>
<p>So someone (and it may have been Chris Humphreys…then again, it might have been me…) suggested that since there was no conceivable way in which six people could read sex scenes in an hour, and then have any time in which to talk about them, that we see if the conference would allow us a separate session, outside the regular programming, during which any panelists who liked to could read one or two samples.   That way, attendees who really didn’t want to hear sex scenes could avoid them and just hear about techniques, whereas those who wanted the…er…full experience (so to speak), could listen to the samples, which we would then talk about the next day.</p>
<p>Well, the organizers were willing (and it was Chris Humphreys who suggested it to them, I know that much), and they scheduled the Saturday Night Late-Night Sex-Scene Reading, after the official banquet.</p>
<p>I think five of the six panelists agreed to read sex-scenes—a couple of us came in nightwear (I almost always change into a yukata covered with cranes—I have three, in different colors—after the official part of a conference day, because while I’m happy to go on socializing into the wee hours, I’m not doing it in an underwired bra and high heeled boots, after wearing such clothes all day); Chris wore a suit, I seem to recall—or it may have been the pirate shirt open to the waist.</p>
<p>Anyway, two-thirds of the conference attendees came, and a Very Good Time was had by all, let’s put it that way. {cough}  (The hotel kindly kept the bar in the dining-room open for this event, and when I staggered up afterward for a glass of much-needed wine, the bar-staff applauded and insisted on giving me the drink for free, which was nice of them.)</p>
<p>Anyway, the long-term effect of this public spectacle was that I’ve been urged (and/or dragooned) into doing it twice more—once as another team effort for the last HNS conference in Illinois, and a solo appearance for The Poisoned Pen bookstore—and now find myself not only booked for a reprise at this year’s HNS conference in San Diego, but charged with<em> running</em> the event.</p>
<p>Chris (that’s C.C. Humphreys, btw, whose Jack Absolute series is on my Methadone List, and I recommend it highly for fans of the 18th century, the British army, adventure, and/or Mohawks) tells me that he and Gillian Bagwell (MY DARLING STRUMPET—which I also really enjoyed (life of Nell Gwyn), and gave a cover quote to) want to do a team-reading of a scene from her book, which he described as “one of the best blow-jobs in fiction.”   (Bear in mind that as well as being an excellent author, Chris is also a professional actor.  I’m looking forward to this.  He did just say “reading,” mind…)</p>
<p>To get to the point here, though—</p>
<p>In order to insure variety and the increased pleasure of the audience {cough, cough}, we’ll need a few participants besides Chris, Gillian, and me.  SO—</p>
<p>If you are</p>
<p>1)	A published author of historical fiction (traditional publication, please, not self-published)</p>
<p>2)	Who will be attending this year’s HNS conference, and</p>
<p>3)	Has a good sex-scene (the scene can be from an unpublished manuscript, if you like), and</p>
<p>4)	 Relatively few inhibitions about reading it aloud in public (costuming (including mask) optional)…</p>
<p>Let me know. {g}  Email me at dgabaldon@aol.com, or find me on the Compuserve Books and Writers Community board.</p>
<p>I don’t think we will have to hold auditions {g}, but we’ll see how many volunteers we get.</p>
<p>*You’re sure you want to see one?  Well, OK.  I’m going to put it<a href="http://www.dianagabaldon.com/writing/lord-john-gray/lord-john-and-the-scottish-prisoner/scottish-prisoner-can-you-begin-a-book-this-way/"> here,</a> because not everyone likes to read excerpts.  This is—I think—the beginning of SCOTTISH PRISONER, even though my husband, who read it, wrote in the margin, “Are you sure you can print this?!?”</p>
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